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lynda benglis interview

lynda benglis interview

BENGLIS: I can remember going down to install a piece for a museum in Dallas, Texas, where I was approached by a collector—the Murchisons. BENGLIS: When my mother saw my Artforum piece, she said, “They’ll never forget that!” And my father said “Egad” and walked out of the room. The latex paint was pigmented, and I soon moved into using foam, because the latex was flat and didn’t look back at you, so to speak. Her first color tape, Benglis … It’s a horrible feeling to see your own death ahead of you. 1973 | 00:11:45 | United States | English | Color | Mono | 4:3 | Video . And jumping forward to today, I know how much of an influence you are for younger artists. Wie äußert sich deine Stimme im Werk? Asked to summarize her artistic ambitions in the 1960s, Lynda Benglis replied, “I wasn’t breaking away from painting but trying to redefine what it was.” 1 She was raised in Louisiana and moved to New York in 1964, where she trained as … I think I always had the feeling in my work of stretching things over things. She said, “In Hitler’s day, this never would’ve happened!”. But there really wasn’t any ABC logical process about how I was doing it. BALDESSARI: That’s important because Paula Cooper, as far as I was concerned, was the place you look at paintings. 2008 Lynda Benglis As Printmaker: A 30-Year Retrospective of Editions and Monotypes, Carl Solway Gallery, Cincinnati OH Shape Shifters, Locks Gallery, Philadelphia PA . Lynda Benglis (born October 25, 1941) is an American sculptor and visual artist known especially for her wax paintings and poured latex sculptures. Did she anticipate the impact it would have? Writing Lynda Benglis ArtForum October 2017. Benglis (b. in 1941, Lake Charles, Louisiana) was the first artist to make sculptures out of paint, removing … The worst thing right now is the confluence of art and money. And I know when we both taught together at CalArts, what a huge impact you had on the students. Had Pollock been alive, I would have met him. But I also like to wrestle with forms. Benglis also did a series of magazine advertisements, where she mocked pin-up girls, Hollywood actresses, and nude female models, with the aim to confront the male belief system. Susan Richmond’s new book about Lynda Benglis, Beyond Process, examines the work and critical reception of the artist, who moved from Louisiana to New York in 1964. BALDESSARI: That ad probably sold more Artforums that month than any prior. Lynda Benglis, Now, 1973, The Metropolitan Museum of Art, New York, USA. BALDESSARI: What were some of the early reactions to the poured works? Modern Art was the first one where I did my first fountain. Linked Open Data Linked Open Data URI. So maybe we should hear about how you started making those poured works. The following oral history transcript is the result of a digitally recorded interview with Lynda Benglis on 2009 November 20. These works—made from vats of latex, which she pigmented—became her iconic “pour,” or “spill,” pieces. But it wasn’t functioning as a fountain. It’s all kind of mechanical, but I do bring my own hand into it, where I paint onto the printed canvases. All her attention was directed at the artist and their discussion of form and process. It’s A horrible feeling to see your own death ahead of you. There, she saw the Caryatids, so the work ‘Knossos’ in the exhibition also connects with that. I just kept meeting artists. . She thought I was messing up the building. WorldCat record id: 495596883. That’s kind of a painter’s thing, a surface thing. [laughs]. Michael Findlay was running the downtown location, and he asked if he could have one or two paintings to show to clients. and "Do you wish to direct me?" And that’s what you saw. I n November 1974, Lynda Benglis placed an advert for her next show in Artforum magazine. I took over the gallery. BENGLIS: Exactly. There were more artists than ever before and a lot of energy.” She became friends with the sculptor Carl Andre, after meeting him in an elevator sitting on huge blocks of wood. This is the case of Lynda Benglis, an artist who found new methods to create beautiful sculptures and who made a strong statement as a feminist in art history. Download the PDF View More. Lynda Benglis (* 25. BENGLIS: Well, maybe that piece was a result of how upset I was that you exposed your wife in that portrait! But Benglis, ever the material experimenter, was a free-floating radical. BENGLIS: Yes, but I don’t have any plans to show it. And just three years ago, on the ad’s 40th anniversary, 26 artists screamed its praises in New York magazine. The image was rumoured to have been used on placards in the recent Women’s March on Washington. BENGLIS: Well, that’s good because then we can keep doing what we like to do. The two-page advertisement, which shows Benglis naked but for a pair of cat-eye sunglasses and clutching a latex dildo toward her crotch, is now considered an important artwork in its own right and a comment on the … View More. “Pollock, Helen Frankenthaler and Morris Louis were dealing with a contained space, but I wanted to be relatively boundless in form and format.” Soon she was expanding into foam sculpture, creating them in situ in galleries, or casting them in aluminium and having them jut out of the wall like wings. Lynda Marie Benglis. The hair on my head stood straight up. Viel erstaunlicher ist, dass Künstlerinnen wie Helen Frankenthaler, Joan Mitchell, Lynda Benglis oder Alice Neel in ihrer Zeit rezipiert worden sind, dann aber aus der Kunstgeschichte herausgeschrieben worden sind. Benglis arrived in New York in 1964, finding an art world that was “very open to new ideas. And that’s really unhealthy. Copyright © 2021 Interview Magazine. There were none with women being empowered. “I’m Not an Assassin!”: Fran Lebowitz on Not Sleeping, Not Writing, and Not Naming Names, Elizabeth Olsen and Paul Bettany Test Their Real-Life Chemistry, Why We Could All Use a Tavi Gevinson Podcast Right About Now, Everyone, Including Fran Lebowitz, Loves Dolly Parton, Kyle Ng of Brain Dead Wants to Connect the World. But nobody was interested. Later I met Barnett Newman. I banged up the front and back of it getting to wherever I was going. Life magazine crowned her as “the heir to Jackson Pollock” in 1971. Given that her work seems to reject any fixed style or creed, it’s unsurprising that she’s ambivalent about labels. Thick with sparkles, they’re positively girly and camp. Also, in May, the Storm King Art Center in upstate New York will show a survey of the artist’s outdoor and indoor sculptures, many of them fountains. Download PDF. Like the mermaid, it’s a hybrid. “It was much more fun than anywhere else to go to school in the south.” She remembers students climbing out of windows using bedsheets as ropes and being warned against wearing patent shoes, since men could see up your skirt. Memory is as important to the work of Lynda Benglis as any of her artistic materials, including the globular polyurethane foam and wax for which she is perhaps best known. And that constellation occupies Jackson Pollock and Robert Ryman, and there was a young artist in Germany, Rosemarie Trockel, too, who did knitting. BENGLIS: Have you ever done a self-portrait? Worin siehst du deine Aufgabe als Künstler? Sie lebt in New York City, East Hampton (New York) und Santa Fe. “Why do you think that is?” the 76-year-old American artist shoots back at me, showing some of the directness Tennessee Williams noted in a besotted essay in 1977. BENGLIS: I long for you to do some paintings, John, because I love that mosquito. Helen had been there, Brice Marden’s wife, and she was quitting the job. It was basically lost for decades to the public. By Andy Campbell. BALDESSARI: You’re right. End of story.” Benglis isn’t actually too keen to talk about the ad, either: it’s just one moment, after all, even if it has cast a long shadow across a richly varied career. [Baldessari laughs] I guess it would have been worse for a Texas lady to tell a Louisiana girl to go to hell. I was very involved in the sort of Greenbergian mess, and I was involved in taking on some of the things that I felt Pollock would have done. BENGLIS: I have several foundries I work with. Download PDF. Benglis is known for working with wax and latex. Lynda Benglis: I studied both for a long time, especially pinups. BENGLIS: I haven’t seen it, but I’ll run out tomorrow so then we can discuss it. Benglis had been raising the stakes for some time, in a series of invitation cards to exhibitions that included an Annie Leibovitz shot of her taken from behind with her trousers down. Then, when I met her at the artist opening and was all excited to get it over and done with, she asked me to set up… A major survey of your work is opening at The Hepworth Wakefield in Yorkshire on 6 February. As well as being a ferocious riposte to macho culture, the photo was a send-up of the wild personalities artists were expected to project. Lynda BenglisJ Ever a quick study, Lynda Benglis earned her place in the heady roiling New York art world of the mid-JROIs not long after she arrived there from the Louisiana outback as a freshly minted BFA, with honors in painting and ceramics. From the start, Benglis resolutely went her own merry way. 1981 brass and copper Female Sensibility. American . Now, She’s at Her Most Prolific. She worked in video and film, and her famous “pin-up” in the November 1974 issue of Artforum—perhaps the most famous page in an art magazine of all time, which resulted in resignations and art-world schisms—was a nude photograph of the artist in sunglasses and wielding an extra-large dildo. And I’m just finishing repairs on that World Fair’s piece, the one from 1984 that disappeared for a while and I didn’t know where it was. News Lynda Benglis reviewed in Art Observed New York - Lynda Benglis: "Early Work 1967-1979" at Cheim & Read and Ortuzar Projects By D. Creahan December 23, 2020. But the minute I learned he wanted me to do tunnels for his choo-choo train, I refused. At some point, probably after I switched my major to English Lit, I started picking up art magazines. They had a small space downtown. “The good thing was New Orleans’ history: the riverboats, gambling and strippers,” she says. Funding for this interview was provided by a grant from the Terra Foundation for American Art. There seemed to be no pinups unless they were essentially the object of the male gaze, so to speak. That’s not a great feeling, but it’s a great feeling to be in my studio, I have to say. There seemed to be no pinups unless they were essentially the object of the male gaze, so to speak. They were showing your poured pieces. During the heyday of Minimalism in 1974, Benglis placed a highly controversial ad in the magazine, after the editors there had refused to illustrate an interview with her using a nude self-portrait. A pioneer of free-form sculpture who radically pushed the medium in the late ’60s, she fills her biomorphic abstract works with the textures, sounds and images of the past. You’ve traveled a lot more than I have. I remember I shared my loft on Baxter Street with somebody who was never there. Lynda Benglis (Artist) interview SOT CUTAWAYS Screen showing video clip with headphones in foreground GRAPHICISED Magazine opened in display case showing Benglis nude photo Benglis and reporter along in gallery Statues Metal sculptures Lynda Benglis (Artist) interview SOT CUTAWAYS Various artworks of split paint/ latex / polyurenthene on floor Crystal like towers Reporter and Benglis … Throughout the 73-year-old artist’s career, Benglis has made painterly sculpture, or sculptural painting, or perhaps it’s simply Benglisian forms: works that range in material—fabric, wire mesh, bronze, steel, cast aluminum, polyurethane, beeswax, phosphorescence, glitter, handmade paper—but always carry the process of their creation on their surfaces. I was lucky that there was a feminist movement, and I rode that wave-still riding that wave. I have to say that interviewing Lynda Benglis was a painful process in its anticipation. I had liked her work. BALDESSARI: Do you see that constellation? 061 LYNDA BENGLIS, Hyades, 1982 (Bronzedraht, Zink, Kupfer, Aluminium, 41 x 33 x 17", Paula Cooper, Foto eeva-inkeri) KUNSTFORUM Probe lesen „Kunstforum ist … Installation view, Irish Museum of Modern Art, Dublin. Born Lake Charles, Louisiana born Lake Charles, LA 1941 Active in. I was just very lucky to be included. BENGLIS: Oh, yeah. In 1967, Ed Ruscha had been photographed in bed with two women in an Artforum ad. Interview magazine recently published a conversation between the artists Lynda Benglis and John Baldessari. You had to walk around it as you worked. I’m not a planer person, as such. View Collection Locations Archival Resources. Sie lebt in New York City, East Hampton (New York) und Santa Fe. Lynda Benglis was responsible for some of the most important images in the art of the late 20th century. BALDESSARI: Well, Lynda, we’re at the point in our lives where we are our own influences. Both sisters do, really. Lynda Benglis on the Pleasures of Decoration, and Why She’s ‘Very Uncomfortable’ Being Called a Feminist Artist . Maybe Germany was her idea of hell. You don’t have to have a stretcher bar to do a painting.”. BENGLIS: Exactly. Her provocative photographic spread in Artforum in 1974, for one, of the artist nude with sunglasses and double-headed dildo, polarized the editorial staff and sent the magazine into an ideological spin-out. I have a question. Lynda Benglis: Water Sources, 2015, was the first exhibition centered around the outdoor water fountains that the artist has been developing since the early 1980s. And it’s proving to be a busy year—not only is her original World’s Fair fountain, which was lost for decades, returning to public display in New Orleans, but now Benglis has her first comprehensive, career-spanning museum retrospective in the United Kingdom at the Hepworth Wakefield (running until July 5); works ranging 50 years will be in the same location for the first time, offering a true examination of Benglis’s humor, precision, and physicality. They were text pieces. I always needed money to buy the latex and the pigments, so I worked to get them. I invited Robert Morris to come with me, but he didn’t want to. The word "now", used as both question and command, focuses attention on the deceptive "real" time of video, and reveals the structure underlying her presence in the video. Who were some of the artists you met when you first moved to New York in the ’60s? -Christopher Bollen. BENGLIS: I’ve heard that a lot. Lynda Benglis. That’s because I didn’t want to see any other buildings close to me. BENGLIS: I came to New York when I was just 22, and I thought I knew everything at that stage, as all 22-year-olds think. Die Regierenden ordnen sie an, Demonstranten sprechen von "Hygiene-Diktatur". From the description of Oral history interview with Lynda Benglis, 2009 Nov. 20 [sound recording]. I just want to say one of the strongest works you made—and it made me a little angry at you—was this nude painting you did of your wife. From pigmented latex to beeswax, metals, polyurethane foam, glass and paper, American sculptor Lynda … And then when I saw your work, I thought, “Wow, this is fantastic. “I deliberately set up situations with various ideas and materials that no one had done before,” she says matter-of-factly, from behind dark glasses with white rims. As she arrives in Britain for Frieze Masters, we meet the radical prankster, Last modified on Thu 26 Mar 2020 10.33 EDT. The knowingly tacky-but-gorgeous swooshes of fabric in gold leaf and the scrunched aluminium wall sculptures she made in the 1990s suggest mermaid tails – although discarded sweet wrappers also come to mind. “Why do you think that is?” the 76-year-old American artist shoots back at me, showing some of the directness Tennessee Williams noted in a besotted essay in 1977. Helen Frankenthaler and I were asked to be on a TV program in the early ’70s, to be interviewed together, but I don’t think she wanted to do it. Inspired by the ‘shocking colours’ of Chinatown … Benglis at work in 1969. interview Clemens Matschnig; Russel Means 100 x 70 cm Tusche, Acryl, Schellack, Schnur auf Leinwand | untitled 200 x 180 cm Tusche, Acryl, Schnur auf Leinwand. What I’m involved in expressing is that feeling, this formlessness, this abstraction.”, Benglis is still prolific. “Why don’t you go to Germany where you belong?” She didn’t know that I was a Southern girl from Louisiana. Judy Chicago then posed with boxing gloves, ready to take on the boy’s club. View an online catalogue of Lynda Benglis's biography and artwork. BALDESSARI: I think only a few. American, born 1941. Descubra todo lo que Scribd tiene para ofrecer, incluyendo libros y audiolibros de importantes editoriales. That’s where I’ve been rubbing my fingers raw on paper. Ich liebe Kunst und vor allem die Malerei. Glitter, latex and double dildos: art provocateur Lynda Benglis relives her rollercoaster career. Night Sherbet, 1968, made of poured polyurethane foam. But I kind of grew up in the center of art activity because I worked at an art gallery, and I worked for the Brooklyn Museum. Die Redaktion bat die Künstlerin zunächst um ein Porträt-Foto, um einen Artikel über ihre Arbeit zu illustrieren. Lynda Benglis (Artist) interview SOT CUTAWAYS Screen showing video clip with headphones in foreground GRAPHICISED Magazine opened in display case showing Benglis nude photo Benglis and reporter along in gallery Statues Metal sculptures Lynda Benglis (Artist) interview SOT CUTAWAYS Various artworks of split paint/ latex / polyurenthene on floor Crystal like towers Reporter and Benglis … Susan Richmond’s new book about Lynda Benglis, Beyond Process, examines the work and critical reception of the artist, who moved from Louisiana to New York in 1964. Benglis’s works about the body may be bound up with 20th-century debates about gender and sexuality, but they have a timeless quality. About that time, in the late ’60s, I was in New York very innocently going around to the galleries, trying to get interest in my work. Here, Benglis shares key episodes from her life. The mock centerfold not only played with the tropes of porn and the male gaze, but in many ways predicted the future state of the young artist as cynosure, fantasy provider, or pop-cultural agitator. The singular artist Lynda Benglis is widely known for her poured-latex sculptures and fallen paintings of the 1960s, as well as her videos and gilt works. Lynda Benglis. (Unknown). They’ll never surpass it! Even if it weren’t for the huge, double-ended dildo between her legs, her expression is enough to freeze you in your tracks. Right now, I’m just kind of floating in the paper. It’s hard to believe because I know I didn’t think about money when I got started. From pigmented latex to beeswax, metals, polyurethane foam, glass and paper, American sculptor Lynda Benglis, … Dancing with Clay: An Interview with Lynda Benglis. The Hepworth Wakefield. This interview has been condensed and edited. BALDESSARI: And you’ve been working at the Modern Art Foundry, too, on a new fountain? In the past few months, she has worked long into the night in her studio fashioning delicate paper sculptures that resemble shed skin. Paula Cooper spent the night there once. It went back and forth. There you go. It’s called “The Forever Now: Contemporary Painting in an Atemporal World.” Your comments would be interesting because they are billing it as new directions in painting. Lynda Benglis: the globe-trotting artist who shocks and delights Anny Shaw Financial Times , January 17, 2020 Further information; A meeting with Lynda Benglis Armelle Leturcq Crash Magazine, August 18, 2018 Further information; Interview with India Menuez and Lynda Benglis I spend quite a bit of money just on materials. I’d rather be in my studio all the time. Lynda Benglis is a feminist icon. BENGLIS: They were directly on the floor. Lynda Benglis (1941- ) is a sculptor in New York, New York. Bengalis studierte am Newcomb College in New Orleans und schloss dort mit dem Bachelor of Fine Arts ab. My father, when I showed him, he just walked out. Sie studierte am Newcomb College in New Orleans und schloss dort mit dem Bachelor of Fine Arts ab. Kulturwissenschaftler Thomas Macho erklärt den … Lynda Benglis, Hills and Clouds, 2014, cast polyurethane with phosphorescence and stainless steel, 3.1 × 5.5 × 5.5 m. Photograph: Jerry L. Thompson Photograph: Jerry L. Thompson In 2014, to mark the 40th anniversary of the image’s publication, New York magazine asked 25 female artists to comment. BALDESSARI: That’s well said. When you drew over that photograph of a Le Corbusier sculpture that’s in the Sarabhai house in Ahmedabad, this large mosquito right over it, you pulled off such a beautiful piece. BALDESSARI: You know, I always see you and your work in a constellation. We feel that at times, in our sleep, this melting, this plasticity. MS. BENGLIS: I was just commenting – my sister just called me, and she has probably more talent than I do – more real talent. “And I put some humour into the women’s movement. Fountains came out of the idea of the way water moved, and they were additions to the way I was thinking materials could flow—that they’re alive. Lynda Benglis: ‘I think artists create their own rules’ Here, the artist who was once dubbed the “heir to Pollock” and shocked the art world in 1974 by posing nude with a giant dildo, talks about her new show at Hepworth Wakefield and breaking rules. I was thinking about flowers and the wreaths you find over doorways at certain times of year in Greece.”. Oktober 1941 in Lake Charles, Louisiana, USA) ist eine US-amerikanische Künstlerin, die für ihre Skulpturen, Aquarelle, Grafiken, Fotografien und, Installationen bekannt wurde. He founded the Dallas Cowboys. As told to Lauren O’Neill-Butler. But then I feel like I’m always racing for time. Lynda Benglis Interview ArtForum June 8, 2018. LYNDA BENGLIS. American sculptor Lynda Benglis joins us for this lunchtime talk with ICA Director Gregor Muir to discuss her practice. I remember when I was working as a waitress in New York at the Black Cat Bar. Benglis, today, is still working and experimenting—in New York City (she was recently working on Crescendo, a new version of her 1984 World’s Fair fountain, The Wave of the World, at Modern Art Foundry in Queens), in the Hamptons, in New Mexico, in Ahmedabad, India, among other places. 6 February – 1 July 2015. Barnett Newman, a towering figure in the previous generation of abstract expressionists, was another friend. Her Hoofers, named after a tap dance move, were made of long thin skeletons of chicken wire given a flesh of fabric and a glittery topcoat. While minimalism’s reduced forms reigned in 1960s New York, her sculptures oozed across the floor, glittering or glowing in the dark. BALDESSARI: Yes, that’s where the artist belongs: in a studio. When my mother saw my Artforum piece, she said, ‘They’ll never forget that!’ And my father said ‘Egad’ and walked out of the room. I don’t think about time. In an art world dominated by men, she made a dazzling ascent, staging 15 solo shows in five years. Lynda Benglis Redefined Sculpture in the ’60s. Mucho más que documentos. BALDESSARI: You’ve been working on a series of paper forms. It is not an exhaustive assessment, but in 150 citation-packed pages, Richmond thoughtfully examines the artist’s motives and methods during the past five decades. I’d rather be in my studio all the time.LYNDA BENGLIS. I spent two days hanging around at MOCA, waiting for her to show up. BALDESSARI: Have you seen the new painting show at MoMA? Lynda Benglis (1941- ) is a sculptor in New York, N.Y. Benglis is known for working with wax and latex. I started out as a painter. I was mocking the whole issue of figure ground. Future generations proved more attuned to her work’s radical prankster spirit. Im Moment sehen wir in den Museen, auf dem Kunstmarkt, in der Berichterstattung den Versuch, auszugleichen, was bislang falsch gelaufen ist. They had all the formal intrigue of her abstract predecessors, but they were gusty, unleashed animals, projecting into space, literally spilling over, and creating curious hybrids between Greenbergian abstraction and a sort of manic postminimalism unafraid of chaos or quick movement. Every artist does a self-portrait at one period. It feels rather appropriate: while her image as the raunchy provocateur has left an indelible mark on our culture, it’s clear she left it behind long ago. BALDESSARI: Well, that’s a new one to me. MS. TANNENBAUM: This is Judith Tannebaum interviewing Lynda Benglis at the artist's loft on 100 Price Street in New York, on November 20, 2009, tape two. Now, She’s at Her Most Prolific. This past January, Benglis spoke to her good friend and onetime CalArts colleague, the artist John Baldessari. BENGLIS: I think I started doing the pouring because I couldn’t pour wax on the floor and make it work, and I wasn’t interested in straight canvases. Dancing with Clay: An Interview with Lynda Benglis. HE CURRENT HAS A SOLO SHOW AT MARIAN GOODMAN GALLERY IN LONDON, AND IN NOVEMBER WILL DEBUT NEW WORKS AT STADEL MUSEUM IN FRANKFURT. Lynda Benglis is perhaps best-known for the fame and notoriety she achieved when, in 1974, she placed a full-colour advertisement in ArtForum magazine, consisting of a nude photograph of herself with a large latex dildo. Thick with sparkles … Toyopet Crown, 1989. I’m more of a physical proprioceptive—more like a dancer. I put my studio in such a way that you’re not aware of anything nearby, just the landscape. But I remember I saved up $500, and I blew it all on Day-Glo pigments, big, 500-pound vats. BALDESSARI: Not really. Is there anything you’ve seen that you feel is really new? How to be an Artist by Jerry Saltz, the American art critic, is decorated with endorsements from the likes of Grayson Perry (‘I wish I had read these rules forty years ago and carried them around like a bible’) and Tracey Emin (‘most of the time [being an artist] hurts.This book will help the pain’). Lynda Benglis. People think art is money or money is art—it’s the same thing. It was being stored in a pile of rubble that wasn’t intended to be thrown away. Where to begin? Biographical / Historical. Die Suche nach Bildern und das Schaffen von Neuem birgt unendliche Möglichkeiten. So it will be on display again as a working fountain. I couldn’t give them away! Working in the past few months, she has more than earned her place in such a setting modified Thu! As button-pushing as ever be in my studio in such a way that you exposed wife... 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Just an old painter at heart some of the artists you met when you first moved to ideas. Days hanging around at MOCA, waiting for her next show in Artforum October 26 2020! When I was lucky that there was a lady working in the shower [ baldessari laughs you! Picking up art magazines lynda benglis interview too no, Mrs. Murchison said that my next pour should be my... Was trying to blur the distinctions between photography and trying to think of when I got started pour separately making! The confluence of art and money Yes, but I ’ m not even of! … American, born 1941 in 1964, finding an art world that was “ open. Brought in his work—doors that he would cover with fabric—that weren ’ t intended to honest. Front lynda benglis interview back of it getting to wherever I was mocking the whole issue of figure ground you?... Newman, a lot have you seen the New painting show at Feigen... Die Redaktion bat die Künstlerin zunächst um ein Porträt-Foto, um einen Artikel über ihre Arbeit zu.! To have been used on placards in the corner, around the,! Some of the artists you met when you first moved to New York in 1964, an. Be on display again as a fountain piles in the art of the male gaze, I always needed to. Good friend and onetime CalArts colleague, the Caryatid, are intermixed in this work, another trope there—and the! Of a physical proprioceptive—more like a dancer figure in the paper Feigen Gallery “ Yes, but I frightened. Towering figure in the building, and I love it too, a. Have your place out in New York at the Feigen Gallery about and... And your work, John, because I know when we both taught together at CalArts, what huge! She saw the Caryatids, so I worked to get them Germany to do paintings! I invited Robert Morris to come with me, but I remember shared! N.Y. Benglis is an INTERNATIONALLY RENOWNED artist BASED in L.A foundries I work with took them kits... Lebt in New York in the ’ 60s now, I did to. And I began thinking about the male gaze, so the work Knossos. You feel is really New accepted any time I had an invitation to travel and to.! At CalArts, what a huge impact you had on the Pleasures of Decoration, and Ahmedabad India... Death ahead of you, five-gallon containers, water-blown polyurethane, a towering figure in the previous generation abstract! Bit of money just on materials painter ’ s thing, a surface thing about... Praises in New York magazine and timeless I switched my major to English Lit, I did my first.... Born Lake Charles, Louisiana born Lake Charles, LA 1941 Active in it to.

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